Whitehead’s e book tinkers with history in a wide range of methods — maybe foremost by making the Underground Railroad a literal mode of transportation and escape — whereas providing a naturally episodic method to the ordeal of its protagonist, Cora (South African actor Thuso Mbedu). Fleeing slavery in Georgia, she travels through completely different states, every coping with race by using completely different however uniformly horrifying strategies.
The most jarring flip comes when Cora and her companion Caesar (Aaron Pierre) attain South Carolina, which ostensibly welcomes Black residents, but whose technique of exercising White supremacy and management progressively reveals itself.
“Underground Railroad” makes use of the altering locales to have a look at manifestations of racism all through US history, from experimentation on Black folks to horrible acts of violence towards African-American communities, significantly as soon as they started to succeed in for the American dream.
The material hasn’t misplaced its uncooked energy. The primary subject, as structured, is the drawn-out nature of sure storylines and episodes, a few of which might certainly have had extra influence had they been trimmed or condensed, leaving just a few installments within the center that really feel comparatively disposable, earlier than regaining momentum on the finish.
Directed in its entirety by Jenkins, the format does enable for an assortment of what quantity to visitor stars. One of probably the most important recurring roles past Mbedu — the undertaking’s excellent anchor — is a slave catcher performed by Joel Edgerton, whose pushed pursuit of recapturing her crosses state strains.
Amazon deserves credit score for tackling such heady materials, permitting Jenkins to adapt it with a constancy to the supply that primarily combines the tone of an indie movie with the scope of a sweeping epic.
The tradeoff, as all the time, is spared from the constraints usually related to films, filmmakers working within the streaming house sometimes take pleasure in too many beats that do not add to the general impact.
At its finest, “The Underground Railroad” is sobering, unsettling and hypnotic, with one abolitionist — in a state that practices genocide — marveling at “the savagery that man is capable of when he believes his cause to be just.”
The care and sense of accountability related to that’s evident in each body, and Jenkins has created a journey properly price taking. It’s additionally one whose influence is blunted, lastly, by the size of the stops alongside the best way.
“The Underground Railroad” premieres May 14 on Amazon.