Sunday Reading: The Return of Broadway


There have been just a few instances in historical past when Broadway has “gone dark.” Even on the top of the 1918 flu pandemic, New York City’s theatre district remained open. Now, as theatres start to welcome (vaccinated) audiences, we’re bringing you a range of items in regards to the artwork we’ve missed a lot.

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In “All About the Hamiltons,” from 2015, Rebecca Mead profiles Lin-Manuel Miranda and talks with the playwright about “Hamilton” within the interval earlier than its opening. Vinson Cunningham explores the remedy of race in two radically different plays, Aaron Sorkin’s “To Kill a Mockingbird” and Jeremy O. Harris’s “Slave Play.” In “Fortress Mamet,” John Lahr profiles David Mamet, whose play “American Buffalo” is at present in revival. In “Alice Childress, the Last Woman Standing,” Hilton Als chronicles the fascinating profession of the Black playwright. Finally, in “Performers on Lockdown Turn to Their Smartphones,” Alexandra Schwartz writes in regards to the early days of the pandemic shutdown and the methods through which folks coped with the ensuing vacuum. “Nine days, which feel like nine weeks, have gone by, as of this writing, since Broadway went dark and New York’s theatres closed their doors,” she observes. “By the time you read this, it may well feel like nine years. The suddenness with which the city’s performance ecosystem has vanished defies comprehension—it’s as if the Great Barrier Reef had died overnight.”

David Remnick


All About the Hamiltons

A brand new musical brings the Founding Fathers again to life—with quite a bit of hip-hop.

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Illustration of "To Kill a Mockingbird" play

Black and White in “Slave Play” and “To Kill a Mockingbird”

Jeremy O. Harris’s new work and Aaron Sorkin’s adaptation of Harper Lee’s novel discover the politics and the facility on the coronary heart of America’s racial regime.

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David Mamet at the typewriter

Fortress Mamet

Where did the playwright get his reward for the swagger of American speech?

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Illustration of two women, one holding an open script, the other wearing white gloves.

Alice Childress, the Last Woman Standing

A brand new take a look at the pioneering playwright.

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An illustration of online theatre

Performers on Lockdown Turn to Their Smartphones

In a time of worry and strained feeling, artistic persons are doing what they will for us from their residing rooms.

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