On September 7th, the acclaimed musicians will join the New Yorker staff writer Kelefa Sanneh at New York City’s Symphony Space for The New Yorker Live’s first in-person event. They’ll discuss their music and greatest influences, as well as Rogers’s recent studies at Harvard Divinity School and Questlove’s career with the Roots. Rogers, a former student of Questlove’s, will also perform several songs from her recently released sophomore album, “Surrender.” To begin the evening, the New Yorker staff writer Hua Hsu will tell a story adapted from his upcoming memoir, “Stay True,” about how befriending—and losing—someone who listened to the “wrong” kind of music changed his life.

This event will be available for free to subscribers to view on this page. See details about attending in person, and purchase tickets.

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Maggie Rogers is a songwriter, producer, and performer. She graduated from New York University’s Clive Davis Institute of Recorded Music, where she took a course co-taught by Questlove, and in 2019 received a Grammy nomination for Best New Artist after the release of her début album, “Heard It in a Past Life.” In 2020, she enrolled at Harvard Divinity School, where she received a master’s degree in religion and public life. Likened by the New Yorker pop critic Amanda Petrusich to both Joni Mitchell and Smokey Robinson, Rogers released her sophomore album, “Surrender,” in July.

Ahmir (Questlove) Thompson is a musician, d.j., producer, author, and filmmaker. In 1987, he and Tariq (Black Thought) Trotter co-founded the influential hip-hop group the Roots, with which he continues to perform. He is also the music director for “The Tonight Show Starring Jimmy Fallon,” where Roots members make up the house band. Questlove has received six Grammy Awards and won the 2022 Academy Award for Best Documentary Feature for “Summer of Soul,” about Black music and the 1969 Harlem Cultural Festival. He and Trotter co-founded the media company Two One Five Entertainment, which developed the documentary series “Hip-Hop: The Songs That Shook America” and will release a biopic of Sly Stone directed by Questlove. Questlove has published books including “Mo’ Meta Blues,” “Creative Quest,” and, most recently, “Music Is History,” which traces the evolution of American music over the past half century. He was the subject of a Profile in The New Yorker in 2012, and was named one of Time’s 100 Most Influential People this year.

Kelefa Sanneh has contributed to The New Yorker since 2001 and has been a staff writer since 2008. He is also a contributor to “CBS Sunday Morning.” He came to the magazine from the New York Times, where he had been the pop-music critic since 2002. Previously, he was the deputy editor of Transition, a journal of race and culture based at Harvard’s W. E. B. Du Bois Research Institute. Last year, he published his first book, “Major Labels: A History of Popular Music in Seven Genres,” to critical acclaim.

Hua Hsu has been a staff writer at The New Yorker since 2017. He teaches at Bard College. He is the author of “A Floating Chinaman: Fantasy and Failure Across the Pacific” and will release a memoir, “Stay True,” in September.

Tickets to the event at Symphony Space are available on a first-come, first-served basis. Subscribers to The New Yorker are entitled to a ten per cent discount on tickets. If you have not received a discount code by e-mail, please contact [email protected]

New Yorker Live events are available for streaming to New Yorker subscribers only—no registration is required, but you will need to be signed in to this Web site.

At its scheduled time, the live stream will play on this page. Closed captioning is available.

All programming is subject to change.



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