Glenn Close and Mila Kunis can’t dance fast enough to save the grim addiction tale ‘Four Good Days’

Close could be coming off a buoyant second when she danced at the Oscars, however there’s little pleasure to be discovered after Kunis’ Molly exhibits up at her mother’s doorstep as the film begins, asserting, “I’m done. I want to come home.” That prompts the skeptical Deb (Close) to wearily reply, “I’ve heard this speech for 10 years.”

Molly has spent that point going into and out of detox, however all of a sudden there is a glimmer of hope: After a number of days in a facility, she’s advised of a blocker that may quell her emotions of addiction and give her an opportunity to get again on her ft, the catch being that she has to be clear when she will get the shot, 4 days away.

Written and directed by Rodrigo García (a TV veteran who labored on the script with Eli Saslow, the Pulitzer Prize-winning Post reporter), “Four Good Days” thus turns into a narrative of hope, and whether or not Deb can enable herself to bask in that feeling after years of ache and disappointment.

“I’m seeing glimpses of the old Moll,” she says, an assertion met with warning by these round her, together with her present husband (Stephen Root) and her ex.

Unfortunately, “Four Good Days” does not actually give anybody past its central duo something a lot to do, and even they’re largely saddled with making an attempt to class up the equal of a Lifetime film. Kunis captures Molly’s desperation, from her rotting tooth to admissions about the depths to which she’s sunk in her fervor to get excessive.

The material will definitely resonate for a lot of, however even with its fact-based underpinnings “Four Good Days” looks like a little bit of a Frankenstein monster, stitched collectively from previous addiction motion pictures. The story additionally glosses over the mother-daughter historical past at its core, leaving Molly’s assertion that Deb’s abandonment contributed to propelling her alongside this path addressed, however not likely explored.

In a way, the film serves as a sort-of companion to Close’s current Oscar-nominated position in the in any other case underwhelming “Hillbilly Elegy,” at the least by way of parent-child relationships and the challenges of breaking patterns of dysfunction.

Those are heady points, however as introduced in “Four Good Days,” they fall wanting delivering 90-some-odd good minutes.

“Four Good Days” premieres April 30 in theaters in the US. It’s rated R.

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