Emily Mortimer and the Vulgar Dahlias

When the actress Emily Mortimer was rising up, in London, her father, the dramatist Sir John Mortimer, would inform her tales of the Mitford sisters. The six aristocratic siblings have been raised in isolation in the English countryside, the place they developed a personal language referred to as Boudledidge, and they led adventuresome lives in the years between the wars. Nancy and Diana grew to become a part of the trendy set the Bright Young Things, and one other sister, Unity, befriended Hitler. “My dad talked often of this family of fascinating, extreme women, two of whom were allied with the Fascist Party, two of whom were allied with the Communist Party, and one of whom was a duchess,” Mortimer recalled just lately. “In fact, he knew Jessica Mitford, the Communist, and I remember her coming for lunch when I was very young.”

Emily MortimerIllustration by João Fazenda

In 1945, Nancy Mitford fictionalized her eccentric upbringing and romantic misadventures in her novel “The Pursuit of Love,” which Mortimer found as a teen-ager. She has now tailored it right into a whimsical BBC miniseries (it premièred on Amazon Prime final week), starring Lily James as a thrill-seeking débutante. But don’t count on swelling violins: Mortimer, who additionally directed, gave the collection an anachronistic soundtrack that features Le Tigre, Sleater-Kinney, and T. Rex. “I just think it’s got a bit of a punk-rock soul, that book,” she stated, strolling by Boerum Hill, Brooklyn, the place she lives along with her husband, the actor Alessandro Nivola. She had simply handed the restaurant the place she spent days laboring over the script. She recalled, “A waiter came up to me at one point and said, ‘Have you finished your map of the universe yet?’ ”

One key to the Mitford universe: flowers. Jessica Mitford, in her memoir, “Hons and Rebels,” from 1960, recalled that her mom, educating the ladies in family financial system, “once offered a prize of half a crown to the child who could produce the best budget for a young couple living on £500 a year; but Nancy ruined the contest by starting her list of expenditures with ‘Flowers . . . £490.’ ” Mortimer borrowed the line for “The Pursuit of Love.” “I remember my dad quoting that from Jessica’s book,” she stated. She reached a small home in Cobble Hill and rang the bell. In the spirit of aristocratic leisure, Mortimer had signed up for a personal flower-arranging class at one thing referred to as Fleur Elise Bkln. The door opened: Fleur Elise Bkln turned out to be the dwelling of Elise Bernhardt, a sixtysomething girl with a salt-and-pepper pixie lower. She led Mortimer to a rambling again yard.

Bernhardt began educating the class in 2018, she stated, after a visit to Japan uncovered her to ikebana, a classical type of flower arranging. “Ikebana is very precise—which is why I study it, because I’m not,” she defined. She started by asking her pupil to share a flower-related reminiscence. “My dad loved gardening, and he had this big display of dahlias,” Mortimer recalled. “I remember his first wife coming through the garden to visit. I must have been a little girl, and my dad went, ‘Aren’t the dahlias looking marvellous?’ And she went, ‘It’s a very vulgar flower.’ ” Mortimer’s face fell, because it had then.

Moving on, Bernhardt, who used to run a dance nonprofit, stated, “Let me introduce you to our characters here—because, really, you’re making a dance in a vase.” Lined up in tubs have been the dramatis personae: gerbera daisies, alstroemerias, leucadendrons, thistles, bear grass, candy william. Bernhardt requested Mortimer to select a vase—she selected a chipped Tunisian pitcher that Bernhardt had discovered at a flea market—and instructed, “I want you to decide who’s the star of your show.”

Mortimer chosen celosia, a bunchy, ruffled flower that Bernhardt thought regarded like brains, however which reminded Mortimer of petticoats. Bernhardt advised her to start out with three—“You want things asymmetrical”—and to go away room for unfavourable house. “By the way,” she added, “the star of the show may not end up being the star of the show.”

Mortimer, a personality actress, appeared happy. (In “The Pursuit of Love,” she solid herself as “the Bolter,” the protagonist’s flighty, monogamy-phobic mom.) Bernhardt laid out a few guidelines: differ the stem lengths in order that the flowers aren’t at a uniform peak, and do away with leaves, particularly ugly ones. “No ugliness,” she stated, as she tore a leaf from considered one of Mortimer’s celosias and hurled it into the bushes. “Or, as my ikebana teacher would say, ‘Sayonara!’ ”

Next: the supporting gamers. Mortimer added hypericums and peonies, stuffing her pitcher to the hilt. “I may have gone a bit O.T.T.—over the top,” she stated.

“Perfection is overrated,” Bernhardt assured her, including, “I want to suggest that you take a few more leaves off.”

“I guess minimalism is not my strong point, as my TV show will show you,” Mortimer stated, with a self-effacing chortle. After trimming some leaves and including yet another peony, she was accomplished. Her association, like “The Pursuit of Love,” was an off-kilter interval piece: petticoats and punk. Mortimer thanked her teacher and carried her creation out to the avenue. “It suffers a little bit from excess,” she stated. “But I like that.” ♦

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